ERIC ALCANTARA:
“It’s one of those things where you can draw all day and not get in trouble for it.”
Born in the Philippines, Eric Alcantara loved to draw since he was a
small child. In his 20s he tried out graphic design and advertisement
but wasn’t fully satisfied with what the profession had to offer.
“It is more gratifying to do something that’s meaningful to
[an individual] than to advertise a product,” the 30-year-old
says. Eric has been the tattoo industry, which he describes as
“intimate and family-oriented,” for the past five years.
After a stint in Hoboken, he began adorning the bodies of Sunnyside residents at the Sunnyside Tattoo Studio
on Queens Boulevard and 39th Street three months ago. He much prefers
Sunnyside to Hoboken where his clients were mainly “eccentric
college kids.” Many of his Sunnyside clients are
“down-to-earth,” working-class Hispanics who gravitate
toward religious emblems and images that celebrate their home country.
One of Eric’s “craziest” tattoos in Sunnyside was a
string of rosary beads around someone’s neck meant to cover up a
previous tattoo. “It is not necessarily about the design, but the
placement can be crazy,” he says. “At one point I thought
I’m going to make him cry.” The neck is a particularly
painful area because of the skin’s proximity to the collarbone.
While Eric tries to price his work based on a time estimate—one
hour is priced up to $150—he acknowledges that many of clients
don’t have much money. His artwork is negotiable and its quality
far more important than his income.
“Where do you see yourself in 20 years?” I ask Eric.
“I think I found my calling in life,” he says without
hesitation. “I can’t imagine myself retiring from the
industry. It’s one of those things where you can draw all day and
not get in trouble for it.”
In the podcast Eric talks about the long road to becoming a tattoo
artist, his very first tattoo job and his Sunnyside clientele.
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